In 1148, Marie de France at 17 has been running her family’s estates since the death of her parents and trying to avoid coming to the attention of Eleanor of Aquitaine, with whom she has a familial connection. When Eleanor does notice her, she declares the tall, sturdy girl with a rural accent too gauche for marriage or life at court, and sends her to England to be prioress of a run-down abbey.
Initially homesick and shocked by the poverty and near-starvation of the nuns, Marie summons the strength of her predecessors: a long line of women warriors and crusaders.
Fine then, she thinks with bitterness. She will stay in this wretched place and make the best of the life given her. She will do all that she can do to exalt herself on this worldly plane. She will make those who cast her out sorry for what they’ve done. One day they will see the majesty she holds within herself and feel awe.
She sets herself to rebuilding the abbey’s prosperity, its fields and sheepfolds, its income-producing business of copying illuminated manuscripts, and its body of nuns. These new sisters—some prickly older women, some giggling girls, some laborers—support her as she finds their hidden talents and sets them to work that best uses their strengths. Later she begins to have visions, which call on her to create an “island of women” protected from men and the corrupt world by a massive labyrinth: Marie hiding once again from a misogynistic world, this time with her sisters.
Fueled by Groff’s energetic prose, the book traces Marie’s entire life at the abbey, her many successes and rare failures. The world of the abbey comes alive, the texture of its life, the cold of early-morning prayers, the taste of a rare treat, the ways of healing. The handful of nuns we get to know are presented as memorable individuals with their own strengths and flaws.
In this fictional Marie, Groff combines two historical characters: Marie de France, a 12th century French poetess who wrote a collection of lais about courtly romance, and Marie d’Anjou, Abbess of Shaftesbury. There is a theory that they might be the same person, but it is unproven. I would have liked to hear more about Marie the poetess, but accept that is not this book.
Here Groff instead gives us a model of a powerful, indomitable woman, canny and visionary, much like Eleanor of Aquitaine but with a Christian moral code. While I love seeing a strong woman succeed, Marie’s accomplishments strain my credulity. Building the maze that protects the abbey like Briar Rose’s castle is one thing, but going on to design and build new machines, roads, dams, and fortifications with military precision?
Where the book started to lose steam for me was when challenge after challenge is met and defeated by Marie immediately. I love her bent for management, her practicality. I love her foresight and the political acumen that leads her to create an international network of spies (often women) and protectors. I appreciate the narrow path she walks between power and pride.
Yet, after a while, the stakes begin to seem very low once we know that Marie’s superpowers will resolve every issue within a few pages. I found it particularly hard to believe that an incipient cult among the young nuns and, later, a revolt about Marie’s going against the church’s teachings would both simply evaporate.
Still, the powerful writing carries the book. As a utopian vision, it reminds me of Groff’s Arcadia which I read recently, about a commune. That book dealt closely with the interpersonal tensions and rivalries that warred with the communal ideals of the families. I expected more of that here, more of the interactions between the sisters, the inevitable conflicts that arise among a group of people living together, but Marie’s iron hand seems to preclude them.
In the end, I’m glad I read this story of a powerful woman. Marie will stay with me for a long time.
Have you read anything by Lauren Groff? What did you think of it?
